Willingham Art Trail - Part of Cambridge Open Studios 2025





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What are your plans for the weekends in July? Turned off by the tennis? Cancelling the cricket? All shopped out? If you're looking for a unique day out, why not meet some local artists in their studios? A Cambridge Open Studios Art Trail offers a fantastic way to plan your day, and it's completely free of charge!

The Willingham Art Trail showcases four talented local artists, along with refreshment stops open during studio hours (10am - 5pm). Meet Valerie McKee (No. 201) for her exquisite pen & ink drawings, admire Gabriella del Valle's stunning silver jewellery (No. 202), explore Helen Foster's vibrant paintings & prints (No. 203), and marvel at Chloe Leaper's intricate drawings and sculptures (No. 204) perhaps taking a walk to see her amazing sculptures in Northstowe.

Beyond Willingham, there are an impressive 333 artists across 219 additional locations spread throughout Cambridgeshire! Use the QR code to download the app or visit www.cambridgeopenstudios.co.uk to discover more art trails to help plan your route.

 

Prefer a paper copy? Get your personal copy of both the Willingham Art Trail and the complete Cambridge Open Studios Guide, featuring all artists. You can pick it up, completely free, from any participating artist, Willingham Library, or the Post Office.

There's nothing we love more than talking about art and meeting people interested in art. We look forward to seeing you!


Things to Consider When Building a New Art Studio

Building an art studio is a dream come true for many artists and it has been an amazing project. After many years hard saving, it finally became a reality and was finished in 2024. For me the ability to leave work out and not have to clear away is sheer luxury. However, setting up/ building an art studio involves more than just finding a room and filling it with art supplies. Here are some things to consider when building your new art studio. Hope this helps!

1. Location and Space

The location of your art studio is crucial. Consider a place that is easily accessible and has good natural light. Additionally, ensure that the space is large enough to accommodate your needs. Think about the size of your artwork, storage for supplies, and room for movement. I work on very large canvasses and stage flats (4’x8’) so need to be able to get them in easily (the sliding doors are very handy), have enough space to move around and work comfortably. Designing the roof so there was a handy beam to prop them up on works well. Having easy access to a loo was important to me so not to break the creative flow. The floor choice is pretty critical to a very messy artist. I chose a porcelain tile with epoxy grout to allow it to be cleaned with brick acid if needed!

2. Lighting

Proper lighting is vital in an art studio. Natural light is essential for artists as it provides the best illumination for working on projects but you should also invest in good artificial lighting. Energy-efficient lighting with LED lights have a longer lifespan compared to traditional bulbs. Plan a mixture of adjustable task lamps and overhead lights that can help you work during evenings or on cloudy days. Consider the colour temperature of the lights, as it can affect how you perceive colours in your artwork. Personally I prefer warm white in my home but my work bench has daylight LED strip and is positioned under the skylight to make the most of natural light.

3. Ventilation

Ventilation is often overlooked but is essential, especially if you work with materials that emit fumes, such as oil paints or solvents. Ensure you have adequate ventilation to keep the air fresh and safe. I open the skylights and have the door open most days. A stay on the door is essential to stop it blowing shut! The skylights are operated by Velux solar openers with a fan when its very hot to keep the air circulating. This not only saves energy but also creates a healthier working environment. Incorporate indoor plants into your studio. Plants not only enhance the aesthetic appeal of your space but also improve air quality by absorbing pollutants and releasing oxygen. They seem to thrive! My next step will be to install an extraction unit to help maintain a healthy environment when soldering etc.

4.  Furniture and Equipment Storage Solutions

You can never have enough storage with art materials! Invest in storage solutions that help you keep your supplies and tools in order. I had some kitchen units fitted and the shelves, drawers, and cabinets store paints, brushes, canvases, and other materials neatly. Most of the boxes in my cupboards are recycled boxes so labelling your storage to make it easier to find what you need.

Choose furniture and equipment that suit your working style. A sturdy easel, comfortable chairs, and worktables are essential. Most of my furniture has been recycled from offices and family.

6. Safety Measures

Safety should be a priority in your art studio. Ensure you have first aid supplies on hand and know how to use them. If you work with hazardous materials, make sure you have proper storage and disposal methods. A laboratory solvent cupboard is a useful addition. It’s ideal to keep your studio clean and free of clutter to prevent accidents- something I’m working on!

7. Inspiration and Ambiance

Your art studio should be a place that inspires you. Decorate it with artwork, posters, or anything that sparks your creativity. Consider playing music or having a small library of art books. The ambiance of your studio can significantly impact your productivity and creativity. Plan your Wi-Fi access carefully- I have an ethernet cable running from the house

8. Budget

Building an art studio is as expensive as a house extension, so it's essential to plan your budget and project manage carefully. List all the necessary items and their costs, and try to stick to your budget. Sometimes you have no choice. Another metre of foundations meant the project had to cut costs elsewhere. Having good communication with a good builder that reviewed the progress and costs on a weekly basis meant there were no nasty surprises. They were helpful in identifying savings in the project. So we reduced the spec to have sliding rather than bifold doors, not all the windows need open etc. My loo door and studio sink came off Facebook Marketplace for a fraction of the cost of new. Look for second-hand furniture or equipment to save money.

A new build gives you the opportunity to build in modern energy efficient technology. Solar panels on the roof combined with a thermostat controlled electric under floor heating has been a good combination. On sunny days I can run a fan without worrying about the cost of the power. In winter the solar is less efficient- generating just 5% of the power needed so having a thermostat timer and setting it for a comfortable 18 degrees for a couple of hours, and wearing a jumper or two helps keep the running costs down. Modern buildings have high amounts of insulation so it heats up quickly and stays warm. Some days the only heat source is me and my computer!

I hope this blog post helps you in setting up your new art studio. If you have any specific questions or need further assistance, feel free to ask! 😊

In my happy place!

What can Artists learn from the Laboratory?

The Vital Lesson of Health and Safety


In the realm of creativity, artists often immerse themselves in a world of boundless imagination and unrestricted expression. However, amidst this whirlwind of inspiration, there are valuable lessons from science can teach us about health and safety. Artists, like scientists, have a responsibility to safeguard their well-being while pursuing their passion.

Coming from a science background we are drilled to pretty hot on health and safety . So as an artist working in the studio, what lessons can we learn from the lab about how to keep safe personally, as well as reduce our impact on our planet?

Keeping Safe

  • Understand what you are dealing with by reading the warning labels. There are international symbols used for hazardous materials that apply equally to the lab and the art studio. Read the safety leaflet and follow the instructions. Just because it is not labelled as hazardous, don’t assume that it is non toxic and treat everything with respect. Some products might not have been tested for their impact on the environment and even traditional materials made from naturally occurring substances can be pretty horrid.

  • Wear proper protective clothing and tie your hair back. While an old labcoat makes a great painting overall, most people wear old clothes and shoes kept for painting. Proper protective clothing is needed such as a dust mask, or respirator, eye protection and gloves when handling hazardous materials including powders like pigments or glazes. Dust masks need to cover both your mouth and nose and must be replaced frequently.

  • Reduce your exposure to solvents. Keep them in closed containers and only use them in a well ventilated space. If you use aerosols then do it outside to minimise the chance of breathing in the product or its propellant or proper extraction and respirator if indoors. If you have large amounts of solvent to store then invest in a solvent safety cabinet and keep well away from naked flames and heat sources.

  • Take care of your health when choosing materials. If you have an allergy to limonene then you will have a problem with ‘environmentally friendly’ turps substitutes made from orange.

  • Don’t eat or drink in the studio if your materials are in any way hazardous. If like me, you have to work in the kitchen, make sure food is covered and away and don’t prepare food in a sink full of art materials. Never, ever suck your brushes to a point-yuk!

Reduce Environmental Impact

Labs spend a lot of thought on proper disposal of waste. Get it wrong and a visit from the Environment Agency could shut you down.

  • Regard the sea as starting at your plughole. Find better ways of disposing of paint than washing it down the sink. It might mean a trip to the local tip to get rid of white spirit and waste solvents. I let my waste acrylic paint dry completely and dispose of it as a solid. My rationale is that it is better the pigments are bound up than released in the water. Clean your brushes with a (recycled) rag before washing and then allow the rag to dry outside before recycling.

  • Reduce your use of toxic materials- find non toxic alternatives. Chemists created some fantastic coloured pigments but included heavy metals such as lead, cadmium, cobalt and nickel so paint can be pretty nasty stuff. Paint manufacturers have been steadily replacing the nasties and finding alternatives. e.g. cadmium free paint. OK they might not be exactly the same, but we need to use them.

  • Reduce too use of single use plastics. Wooden skewers make great stirring sticks and cocktail sticks are useful to

  • Reuse paint bottles, glass jars and plastics from the kitchen and then recycle when you are done. Put new canvas on old stretchers, draw on the back of waste sketches, collage failures into new work and recycle bubble wrap to pack pictures etc.

Dried acrylic paint for disposal….or collage?

My kitchen sink -no food preparation here! (lots of scrubbing after)

Cambridge Open Studios 2023

This year I am collaborating with Helen Snow a talented local printmaker and great friend. Two Helens, for the price of one!

Helen (Snow) started printmaking 7 years ago with an evening class in printmaking at Swavesey Village College, using very basic tools (eg a wooden spoon!) and intaglio methods. Classes at Cambridge Regional College, East London Printmakers along with courses with local printmaker/tutors Nina Sage and Sherry Rea have added to her practice- all carried out in a tiny utility room! From there she combines the techniques of lino, drypoint etching, collagraph and monotype, sometimes combining techniques e.g. overprinting a collagraph background with lino. More recently a Gunning Little Thumper etching press (for intaglio)  joined the old “nipping” or bookbinding press (for relief) in the tiny utility cum print room! Recently she has been exploring collagraph prints, where a plate is made from collaged textures and can be inked with both relief and intaglio methods and can give experimental and unexpected results adding to the excitement of the “reveal”. You can see more of her work on Instagram @helensprintstagram

Five steps to get the most out of a visit to Cambridge Open Studios

Very excited! While I have visited many artists in the past and have bought artworks, this is the first time I have participated in Cambridge Open Studios. As I write this I am busy varnishing pictures and transforming my home into an art gallery!

For those that have never come to Open Studios it’s really simple and a great day out. Here are my five hints to make the most of your day.

Step 1 Get hold of a copy of the guide or download the App and Plan!

Download the App There is a great video on how to use it on Youtube https://youtu.be/VWsSgNkggfk

Then use it to decide who to visit. You can’t do them all! Single artist or group show?

Which weekend? There are 4 to choose from. If you have fallen in love with the piece in the catalogue then go on the first day of the first weekend to avoid the disappointment of finding it sold. Just browsing? Then go when you like- artists don’t have lunchtime and that’s often a quiet time to visit.

Step 2 Set a budget

Empty walls ? COS can be a cost effective way of filling your walls and home with unique artwork instead of mass printed posters. Set a budget and stick to it. You’re buying direct from the artist with no middleman so your budget will go further and you may secure something lovely. Take cash for small purchases like cards. Many artists do take card payments but don’t rely on it. A banking app on your phone may be useful for rapid payment to secure that piece you have fallen in love with. There’s only one reason to buy art and that’s because you love it!

Step 3 Find an art loving friend and plan your route

Are you walking or driving? Staying close or further afield? The map is really useful to work out where to go but don’t forget to check in the guide if the artists you are interested in are open on the day of your tour. Opening hours are 11 am to 6 pm so you can probably see 5-8 artists in a day. Why not focus on an area or village e.g. Willingham ? OK, I am horribly biased!

Step 4 Talk to artists-they don’t wear strange smocks!

You will meet-up with some really lovely creative people living and working in interesting places and studios. Some studios are working studios where you may see the artist working. Most artists are really happy to discuss their work and techniques and you can get some helpful tips. Don’t see what you want? Ask about commissions and courses too.

If you do buy or just love their work, then sign to go on their mailing list. That way they will notify you when they are exhibiting and you might get invited to a private viewing.

Step 5 Do elevensies, lunch and afternoon tea

While many artists will offer you a soft drink, you need to keep up your energy! Visiting a new village is a great way to discover new eateries. If you do plan to come to Willingham (and why not ?) there are great options from the Duke of Wellington, the Auction Cafe, The Book-warren, The Bushel Box and the Porterhouse.

Had a good time? Then do it all over again next weekend!